Archive for March, 2012

Raffertie – Visual Acuity (2011)

The opening title track immediately explodes into a barrage of glitchy sound patterns, beats, samples and all manner of strange noises all coalescing around a rising synth crescendo. There is certainly a lot of stuff going on here, it really should not work but the effect of this sensory sound assault is thrilling.
The pace drops for the rest of the EP after the title tracks frantic start and both the dubby ‘You Could Be Forgiven For That’ and ‘Twitch (It Grows and Grows)’ are more laidback, sultry tracks but still no less compelling. ‘Mimetic’ closes the EP in a similarly subtle style but its low slung groove and soulful house beats are a glorious way to finish… thisisfakediy

Raffertie MySpace

Raffertie – Mass Appeal (2012)

Raffertie’s debut for Ninja Tunes, ‘Visual Acuity’, was a giddy and wild-eyed splurge of extreme electronic excitement, sounding rather like a drum machine masturbating underwater – and was all the better for it. The follow-up, ‘Mass Appeal’, is an altogether more stripped back affair, with our cosmic hero easing back on the Nintendo and Coke approach to music making to reveal an altogether more subtle sound…thisisfakediy

Raffertie MySpace

Grasscut – 1 Inch: ½ Mile (2010)

Phillips and O’Dair should feel proud that they have created an album that will have no sound-alike peers in 2010. It might well never have any, although parallels are apparent at intermittent junctures – old trip hop, the found-sound eeriness of under-the-radar Dorset brothers Reigns, the BioShock videogame soundtrack, Hot Chip with a limp, creaky graveyard gates. But without too many obvious reference points it’s a puzzling concoction. Perhaps Phillips can call in a few favours and commission the film needed to bring this unique work to life… bbc

Grasscut MySpace

Eskmo – Eskmo (2010)

Brendan Angelides, aka Eskmo, has been gathering steam as an electronic musician for over a decade, but he’s really come into his own in the past couple of years. In 2009 he released the deservedly well-received singles “Hypercolor” and “Agnus Dei” on his own Ancestor label, and then he scored one of the best remixes on Bibio’s The Apple and the Tooth, a molten vamp on “Dwrcan”. This led to an invitation to perform with Nosaj Thing at one of Flying Lotus’ Brainfeeder sessions, to working with Amon Tobin as Eskamon, and to releasing his own tracks on Warp and Planet Mu. With the release of his debut LP on Ninja Tune, it seems clear that his moment has arrived… pitchfork

Eskmo MySpace

 

Les Hommes – Les Hommes (2002)

Three guys from London play live (drums, hammond, vibraphone and percussions). the album already licensed in Japan, America & Canada. Here is the marketing logo: Mise en scene, a cigar smoulders in the ash tray, a mellow Cavaldos rests close by, it’s time for LES HOMMES… a selection of audio moods from the sound rack for your listening/dancing pleasure… The album is set up like a soundtrack. It needs to be listened to from the beginning to the end because all the tracks are connected and each one builds up to the next. Check out the liner note: IN SPRING A car interior, the radio is switched on. No other cars are on the road; dawn is about to break, as The Driver shifts up a gear. The mist hovers a few feet above the ground as the music wafts out of the speaker. The Driver tightens his grip on the steering wheel just as the road bends sharply to the left and enters the forest… ishtar

Les Hommes

Les Hommes – The Mood Is Modal (2000)

Les Hommes, London’s hottest Hammond organ jazz I beats trio, have been playing the underground scene for a couple of years and have now achieved mainstream press and radio recognition from the selected few in the know.
The band consists of Rory on Hammond, Tarek on vibes, Moog and percussion and Vlad on drums. Their live set is a collection of their own compositions ranging from organ grinders to kicking bossas and spaced-out beat numbers…thefactory

Les Hommes

Kangding Ray – OR (2011)

There’s a lot of wiggle room in the house style, judging by the latest by Kangding Ray (a.k.a. David Letellier). To listen to OR next to 2006 debut Stabil is to be taken aback by how far he’s come. Early Kangding Ray is still great: glitchy, occasionally sublime stuff (see “Mai”), less focused on high concepts than the musical qualities of abstract sound, arranged with architectural precision. Accessibility isn’t a Raster-Noton hallmark, but Kangding Ray balances hints of melody with innovative machine rhythms…dusted

Kangding Ray MySpace