Archive for October, 2012

Colo – Midday Sun EP (2012)

Those only interested in 4/4 beats and a decent BPM may bypass the first half of this EP from classically-trained producers Colo and head for the remixes. Do so at your peril. True, only on “Never Again,” with its understated 2-step rhythms, cosmic synthery and sample from George Gershwin’s “Summertime,” does the pace rise to much above above shuffling level, but this is electronica with dance floor sensibilities. If you were devilish enough, you may want to see what happens if you pitched “Picture of You” and “Church” beyond +8; it’d probably turn both into moody, squelchy deep house. They’re best left in original form, though, paying proper respect to the contemporary ’80s equipment with which they are (mostly) created….residentadviser

Borealis – Voidness (2012)

Voidness has muscle and verticality, but it still works from a delicately ambient place. The trudging drums act as a kind of focal point for huge, dangling synth melodies, roaming, drift-dive sub-textures, and distant, peripheral percussive samples. “Dark Water” buoys itself to a hefty, start-stop drum loop and thick-hided sub-bass riptide while a pulsing arpeggio gains and loses momentum and distant shaker samples shiver at the track’s outlines. On “Unseen & Uncalled” Somfay throws brutal kicks and unfurling metallic samples into a gout of vinyl crackle that sounds like a roaring flame while a patient, blurry melody swims in and out of sight and drums continue to crash like exploding stars. Standout “Crimson Purple” stretches layers of billowing synths like galactic tides through a nettled beat, vocal transmissions echoing from across a vast empty distance…beatsperminute

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Evade – Destroy & Dream (2012)

The cues seem to be coming from the laid-back post-Burial crowd like Clams Casino and Balam Acab, the languid, spacious, detailed sci-fi dubscapes of the Moritz Von Oswald Trio, and the creeping nostalgic awkwardness of the likes of The Caretaker or Demdike Stare, but coupled with some almost new agey good vibes for this awkward, disconnected, sinister loveliness. There’s some quite heady, sensous grooves and smoky melodies, but also passages of haunted ambient weirdness, making for an intriguing and well-formed aesthetic for total late-night immersion, equal parts awkward and seductive…normanrecords

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